Nr. 13
Wouter Meijer
Product ID SON00003250
Composer Wouter Meijer
Duration 06:50 min
Genre Classical
Instrumentation Acoustic (classical) guitar
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Nr. 13

Nr. 13

SKU SON00003250
Composer Wouter Meijer
Arranger
Genre Classical
Instrumentation Acoustic (classical) guitar
Free description Subtitle of this piece is ' Farewell to a new years eve tradition '. It won third prize in Musicurate's 2025 composition competition.
Grade 4
Duration 06:50 min
Year 2025

Score

€ 4,00

Program Notes

Subtitle of this piece is ' Farewell to a new years eve tradition '. It won third prize in Musicurate's 2025 composition competition.

This piece is dedicated to the Dutch new years eve tradition which will be banned from 2026 onward. It represents a bouquet of fireworks. A fireworks fantasy if you will.

COMPETITION FEEDBACK (excerpts)
Farewell to a New Years Eve Tradition
by Wouter Meijer


Suzie Auclair
https://www.suzieauclair.com
Well done on your work! The harmonies create beautiful atmospheres and a lovely soundscape
in certain sections! While you clearly aimed for some delightful harmonic surprises, there are a
few less convincing harmonic progressions that I think could benefit from further refinement.
Perhaps you could also create more connections between sections to give the work greater unity?


Marek Orszulik
Editorial Director, MusiCurate
https://www.marekorszulik.com
Some effective guitaristic effects to bring this bouquet of fireworks. 

Adam Cicchillitti
https://adamcicchillitti.com
Cool new piece! The score looks like it was written by a guitarist: the textures are idiomatic and
would fit comfortably under the hands. I especially like the opening idea of playing repetitive
structures over a static E minor harmony with a moving bassline, followed by the shift to the
minor dominant at measure 9 with a slight change in the arpeggio pattern. This creates a
beautiful flowing texture that prepares the ear well for the crunchier harmonies at measure 17. I
also appreciate the program note’s reference to the banning of fireworks in the Netherlands; it
ties the narrative of the piece into the broader “fireworks” theme effectively, and the work is well
described by the composer as a “fantasy.”
There are a few areas where the piece could be refined. There are also many left-hand fingerings indicated, some of which are
questionable. Conversely, there is relatively little expressive text beyond
dynamics.