Three Memory Images from Hungary
Pertti Jalava
Product ID SON00001110
Composer Pertti Jalava
Duration 13:00 min
Genre Classical, Contemporary, Chamber music
Instrumentation Duet, Harp duet, Soprano saxophone and harp
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Three Memory Images from Hungary
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Three Memory Images from Hungary

SKU SON00001110
Composer Pertti Jalava
Arranger
Genre Classical
Contemporary
Chamber music
Instrumentation Duet
Harp duet
Soprano saxophone and harp
Free description Duetto sopraanosaksofonille ja harpulle
Grade 5
Duration 13:00 min
Year 2020

Score + Parts

€ 30,00

Score

€ 15,00

Program Notes

Duetto sopraanosaksofonille ja harpulle

Emlékképek Magyarországról
Kolme muistikuvaa Unkarista

Three Memory Images from Hungary
for soprano saxophone and harp

1. Szuhafői reggel, 2. Aggteleki barlang, 3. Gólyafészek
1. Aamu Szuhafössä, 2. Aggtelekin luola, 3. Haikaran pesä
1. Morning in Szuhafö, 2. Aggtelek´s Cave, 3. Stork´s Nest

Anastasia Razvalyaeva: harp and Erzsébet Seleljo: soprano saxophone
Fp: 4th August 2021, Ördögkatlan Fesztivál, Hungary

The Youtube video is taken from a performance of  the later version for flute and harp, which is identical with this original one for saxophone and harp. This work begins at 6:35.

 

Three memories from Hungary are my memories from one of my many summer visits to Hungary. In the summer of 1984, my wife and I spent a few days at our friend's grandparents in the sleepy, idyllic village of Szuhafö. We visited the strangely mysterious depths of the nearby Aggtelek stalactite cave and marveled here and there at the large stork's nests wildly frolicking on top of electricity poles along the roads.
In this work there are two undeniably age-related traits: the tendency to occasionally reminisce about the past, and the dispersing of all kinds of hesitation and even the last shreds of inhibitions in the way of shameless emotional expression.
This romantic and impressionistic work is contemporary music. It doesn't make sense to limit the use of that term to "experimental" music, which is extremely rarely freer than this music from previously made music, let alone braver. I feel this is one of my bravest compositions precisely because of its pursuit of beauty, here I am perhaps at my most exposed as a composer, showing this sensitive and vulnerable side of myself that I believe we all have. I originally composed this for soprano saxophone and harp, for the Hungarian Duo SeRa, who have performed the piece a few times in Hungary. Right from the start, I also made a version for flute and harp.

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