| Artikelnummer | SON00003421 |
| Componist | Pertti Jalava |
| Duur | 13:00 min |
| Genre | Contemporary, Kamermuziek |
| Instrumentatie | Klarinet en piano |
Offert par Sonolize, Ofrecido por Sonolize, Oanbean troch Sonolize.
Three Memory Images from Hungary
| Artikelnummer | SON00003421 |
| Componist | Pertti Jalava |
| Arrangeur | |
| Genre | Contemporary Kamermuziek |
| Instrumentatie | Klarinet en piano |
| Vrije omschrijving | A duo for clarinet and piano in three movements |
| Moeilijkheidsgraad | 5 |
| Duur | 13:00 min |
| Jaar | 2024 |
Program Notes
A duo for clarinet and piano in three movements
A duet for clarinet and piano in three movements
Emlékképek Magyarországról
Kolme muistikuvaa Unkarista
Three Memory Images from Hungary
1. Szuhafői reggel, 2. Aggteleki barlang, 3. Gólyafészek
1. Aamu Szuhafössä, 2. Aggtelekin luola, 3. Haikaran pesä
1. Morning in Szuhafö, 2. Aggtelek´s Cave, 3. Stork´s Nest
Fp: David Lemelin: clarinet and Paul Hanson: piano
May 30th 2025 Perkinson Recital Hall on the campus of the University of Richmond, USA
The Youtube video is taken from the premiere performance of this version.
Three memories from Hungary are my memories from one of my many summer visits to Hungary. In the summer of 1984, my wife and I spent a few days at our friend's grandparents in the sleepy, idyllic village of Szuhafö. We visited the strangely mysterious depths of the nearby Aggtelek stalactite cave and marveled here and there at the large stork's nests wildly frolicking on top of electricity poles along the roads.
In this work there are two undeniably age-related traits: the tendency to occasionally reminisce about the past, and the dispersing of all kinds of hesitation and even the last shreds of inhibitions in the way of shameless emotional expression.
This romantic and impressionistic work is contemporary music. It doesn't make sense to limit the use of that term to "experimental" music, which is extremely rarely freer than this music from previously made music, let alone braver. I feel this is one of my bravest compositions precisely because of its pursuit of beauty, here I am perhaps at my most exposed as a composer, showing this sensitive and vulnerable side of myself that I believe we all have. I originally composed this for soprano saxophone and harp, for the Hungarian Duo SeRa, who have performed the piece a few times in Hungary. Right from the start, I also made a version for flute and harp and for clarinet and piano.
All these versions can of course be mixed to have new versions.
To put it simply: this work is for soprano saxophone, flute, clarinet or viola and harp or piano.